Untitled 7 metal wire and acrylic betraying an embrace of the

betraying an embrace of the accident

They stand in the continuum of Tilman’s exploration of the ‘painted object’ or painting

He achieves this through the deployment of rhythmic

adjoining shapes

Untitled 7 metal wire and acrylic betraying an embrace of theClaude Ttot is a painter in search of unexpected harmonies. He embraces a visual language of complementary contradictions negative space becomes an expression of form; solid areas of color are balanced by energetic markings and precise patterns; concrete elements like hard edged lines, grids, and geometric shapes are juxtaposed alongside expressionistic elements, like gestural brushwork, smudges, drips and stains. By exploring the enigmatic unity