Day for Night 3 Stephen Maine process and materials

process and materials

Debra Ramsay captured time passing by documenting the change in color within the landscape at the same location (New Berlin

and Gene Davis

Lyrical Abstraction and Abstract Expressionism

Day for Night 3 Stephen Maine process and materialsUsing the geometric vocabulary found in architectural schemata, Bolt tries to create a dynamic tension between foreground and background, center and edge, inside and out. The dual spatial identities that the myriad forms have with one another create a visual riddle. His goal as a painter is not to solve the riddle as much as pose it as a unique perceptual challenge. And it is that challenge that fulfils the experience one has with the painting.